Urban stories

real, hopeless, tense, sexist

I would describe La Haine as real as I believe it is a real representation of the current time. La Haine represents the real issues of the current time such as racism and violence. The film is mainly based from the characters point of view so it is based from a realistic point of view.

I would describe La Haine as hopeless as all the characters are pretty much in a hopeless cycle. They live a hopeless lifestyle which usually ends in early death. It is a constant cycle.

I would describe La Haine as tense as it is so violent that you never know what is going to happen next. The whole film builds tension so the audience is on edge.

I would describe La Haine as sexist as there is not really any female characters involved apart from when being referenced to as sexual objects. The whole film is based on males and there lifestyles and pretty much ignores the fact women exist.

Film catalogue

Can Tim Burton and Johnny Depp's working relationship be seen as autheristic?

Films:

Item 1 - Edward Scissorhands (1990) Director: Tim Burton
I chose this as my focus film as this was the first film that Johnny Depp and Tim Burton worked on together. It explores the dark theme that both Burton and Depp have created a deep relationship from. It was a personal project for Burton and also for Depp. Burton created Edward as a character which almost reflected Burtons childhood, a character which was isolated and found it hard to communicate with others and the Burton picked Depp to play this role.

Item 2 - Charlie and The Chocolate Factory (2005) Director: Tim Burton
My second film is Burtons remake of Roald Dahl's children book. This film features Johnny Depp playing a vulnerable character called Willy Wonka who has no family and is isolated from society which is similar to what Burton went through in his childhood. This is very similar to Edward Scissorhands with the eerie and gothic mise en scene making it a classic Tim Burton film. As this isn't Tim Burtons original story i did not choose it as my focus but it still portrays the dark twist Burton puts on stories.

Item 3 - Alice in Wonderland (2010) Director: Tim Burton
My third focus film is Alice in Wonderland because again Burton has picked Depp to play an obscure character with many personal issues which portrays him as very quirky and crazy. Burton always picks Depp for roles that Depp can transition into which is why Depp did lots of preparation for this role. This idea also plays on the idea of having no parents and is quite a crazy film which Depp fits into perfectly.

Books:

Item 4 - Burton on Burton (1995) Author: Tim Burton
I chose to use this book as it focuses on Burtons interest with Johnny Depp, his childhood and his influences throughout his life. This book also explains Burtons ideas and feelings such as loneliness that he's put into each film which allows us to have a much better insight on his life.

Item 5 - Tim Burton (2002) Authors: Jim smith, J.Clive Matthews
This book was less useful when it came to information on Burtons childhood and personal thoughts as it more focuses on his early films and all of his film creations. This gives us an insight of his film process.

Item 6 - Johnny Depp (2006) Authors: Dennis Meikle, Reynolds and Hearn
This book focuses on Johnny Depp's life through his films and through his teenage years. A central focus of the book is about his collaborations with Tim  Burton which will give me some insight on their working and personal relationship.


Websites:

Item 7- Tim Burton explains his abstract relationship with Johnny Depp (2009)                         Source: MTV - http://www.mtv.com/news/1620521/tim-burton-explains-his-abstract-relationship-with-johnny-depp/
I chose this source as this one gives us an insight of Burtons and Depp's relationship such as how they can have a complete abstract conversation but this source is from Burtons point of view. This article also goes into depth specifically about their relationship and how they understand each others ideas and thought processes which is why Depp relates to the characters so well.

Item 8- Johnny Depp explains his special relationship with Tim Burton (2006)                           Source: The fashion spot - http://forums.thefashionspot.com/f51/johnny-depp-explains-his-special-relationship-tim-burton-41998.html
I chose this source as this one gives us an insight on their relationship but from Depp's point of view. This article is useful as it is very detailed and names real life stories and conversations between Depp and Burton. Depp also talks and Burtons personal life which further suggests their closeness which is key for this question.

Item 9- Helen Bonham Carter on Tim Burton and Johnny Depp relationship (2012)                       Source: Tribute.ca - http://www.tribute.ca/news/index.php/helena-bonham-carter-on-tim-burton-and-johnny-depp-relationship/2012/12/28/
I think this is a useful source as this is an outsiders insight on Depp's and Burtons relationship. It is an opinion from Helen Bonham Carter which is close to both Depp and Burton and has worked with them both. This views their relationship from another perspective.

Item 10 The uncanny relationship of Tim Burton and Johnny Depp (2015)
Source: UK essays - https://www.ukessays.com/essays/film-studies/the-uncanny-relationship-of-tim-burton.php
This article goes deeper into Tim Burtons life including his childhood. This gives us some idea of how Tim Burton created such a successful career and how he first got involved with Johnny Depp. It goes into detail about my focus films and goes into a lot of depth about their relationship which is useful to answer my question.

Item 11-Auteur director Tim Burton (2013)
Source: Theory of Johnny Depp - https://pennyrowe.wordpress.com/2013/01/17/auteur-director-tim-burton/
This article focuses on the auteur theory of Tim Burton. It talks about his gothic and quirky themes which he uses throughout his films. It also talks about his reoccurring use of Johnny Depp in his films as well as the dark twists he uses. Burton also uses the same type of instruments to create his eerie theme music.

Magazines:

Item 12 USA Today - Scissorhands cuts to Tim Burtons core (1990) Writer: Susan Spillman
This article focuses on how personal Edward Scissorhands is to Tim Burton. It talks about how Burton has been thinking of making Edward Scissorhands for years. I will use this article to show the clear comparison of Burton and Edward Scissorhands that has been noticed by friends and colleagues. Burton has also admitted to knowing how Edward Scissorhands feels.

DVD Extras:

Item 13 Commentary on Edward Scissorhands by Tim Burton - DVD extra on Edward Scissorhands
In these extras Burton discusses how he decided Johnny Depp was the perfect actor to play Edward Scissorhands. Burton also talks about how he came up with the character of Edward Scissorhands when he was a teenager and that the character was constructed from his personal feelings of feeling isolated and frustrated.

Interviews:
Item 14 Johnny Depp talks about being the Mad Hatter in Alice in Wonderland  (2016) http://movieweb.com/johnny-depp-talks-about-being-the-mad-hatter-in-alice-in-wonderland/
This article talks about how Johnny Depp prepares for his roles in Burtons films and talks about the acting techniques that he uses to get into Burtons characters. This suggests that Burton and Depp have the same mind-set which is why they have such a strong relationship.

Item 15 Tim Burton interview radio 360 Youtube (2009)
https://www.youtube.com/watch?v=2Y2RX0qKryE
This interview explains the true emotions behind his characters and films. It is focused on the opening of the exhibit of his drawing which also includes drawings of Edward Scissorhands and this leads to a discussion of how Burton came up with the character. This resource is useful to get Burtons personal feelings which will also to lead to why he chose Depp for such a personal role. 


Images:
Item 16 Image of Johnny Depp and Tim Burton

This is to show the audience what Burton and Depp look like. The picture is also effective as they are sat in the same position so emphasises there similarity.

Item 17 Image of Burbank

This image was used to show the audience a comparison of Burbank and the street in Edward Scissor hands. Burbank is where Tim Burton grew up so it creates a link to why the Edward Scissor hands street is layed out the way it is.

Item 18 Image of street from Edward Scissorhands

This image was used to show the audience a comparison of Burbank and the street in Edward Scissor hands. Burbank is where Tim Burton grew up so it creates a link to why the Edward Scissor hands street is layed out the way it is.

Item 19 Image of Edward Scissorhands

This image was used to show the audience the character of Edward Scissorhands so that they could see how unique and bizarre the character is.

Item 20 Image of Willy Wonka

This image was used to show the audience the character of Willy Wonka so that they could see how unique and bizarre the character is.

La Haine

Equality, Cycle, Violence, Rebellion, Diversity, Futility

AS Reflective analysis

Reflective analysis



My intention was to produce a short section of a film in a step outline which falls into the thriller and drama genre as it has conventions of both. I hoped to stimulate my audience’s mood and make them feel uncertain by choosing a realistic setting, characters and storyline.


My target audience would be teenagers so a 15 certificate would be appropriate as some violent, graphic and sexual scenes would be inappropriate for children. If it was certified lower, then this would be inappropriate to a lot of children under the age of 15 and would cause a lot of trouble and effect box office income.


Conventions of thriller that I included in my film was the unexpected suicide in scene 3, the urban setting of Bella's home and the unexpected hero of Meg. I chose the suicide of my character to happen at the beginning of the film so they could flashback on all the events leading up to it so the story would unravel as the film goes on. The suicide was in an isolated forest with no one to help. This would make the audience feel uneasy and unsettled, and included some suspicious behaviour in scene 5 as this is also a common thriller convention. The story behind the suicide is what brings in the conventions of a drama as it is a flashback on Bella's life.


I used a lot of close-ups throughout, this highlighted key emotions and important body parts which made it more personal to the audience and added tension. The suicide scene is very effective due to the use of close-ups and the increased diegetic sound of heavy breathing. I realised my using close-ups of body parts and the diegetic sound it creates a lot of tension for the audience. There is also the variety of long shots from different angles which appears to the audience like she is being watched and builds further tension.


I chose realistic settings, as I believe my audience will engage more with the piece if it is set in locations which they know and situations they could / have experienced. Settings I chose included a huge forest, the home of the main characters, and the school of my main character. However I do believe that by only using these first few locations in my sequence that it limited the storyline. To improve I would use more locations such as McDonalds during my sequence to make it easier for the audience to relate to.


I chose realistic characters, as I believe it would make it more believable and realistic so the audience would be more effected by the suicide and drama and make the audience feel like some of these situations may happen in their own lives. To improve in future I would introduce my characters a lot better so people can connect to the characters easier. I also used stereotypical characterisation as the girl was the victim but the plot is not predictable so I was happy with this choice.


I chose to use non diegetic and diegetic sound in my piece. I chose tense music for non-diegetic as it is a clear convention when trying to make the audience feel on edge. I used a lot of diegetic sound such as heavy breathing as it exaggerates the tension. I want to create a spine chilling experience for the thrill seeking audience.


I used low key lighting in the scenes of Bella in the forest but I used higher key lighting when it moved to the flashback. The low key lighting was used to show the isolation and desperation and I used high key lighting when moving to the flashback to show that this was before everything went wrong. To improve I would vary my lighting a little bit more in the opening scene to add more suspense and help make the plot less predictable.
My sequence has a non-linear story line as it starts at the end and flashes back to show how and why she ended up taking her life. In my final scene I start the flashback of Bella’s life to start to explain why this all happened. This is done to start the emotional journey the audience will go on with Bella. This would set of a curiosity with the audience of what both Jack and Meg both have to do with Bella’s death. The camera is used to create a two shot to show that Meg and Jack will be together.

AS Aims and contexts

For my short film sequence I will be following the horror/drama genre. I want to make the audience feel uncomfortable and on edge. My target audience is aged 15-25. To get the right response from the audience I will use a lot of closeups on uncomfortable images such as bleeding parts of the body. The context is a young girl who is depressed and try's to commit suicide in the woods, I will use parallel editing to show her parents reaction.

AS Exam practice

Section A

1. Study the items in Part A of the resource material, which include:
- a news item from The Hollywood Reporter January 2014
- a report from reuters.com
Use this material, together with your own studies, to answer the following question:
What are some of the main factors that influence different kinds of film production today?

• Audience                                                   
• Characters
• Franchise
• Actors/actresses
• Gross
• Awards
• Narrative
• Gap in market
• Director
• Book
• Successful

Furious 7 -> franchise + stars = made more than original, already had a audience
Fifty shades of grey -> book + gap in market = Gap in market released on valentines day which was a key date for the target audience.
Straight Outta Compton -> Based on true story + Stars + gap in market = huge gap in market made it very popular, word of mouth between younger generation made success.
The intouchables -> big french stars + awards + gap in market = best selling french film ever

2. Study the items in Part B of the resource material, which include:
- two website pages from blink box.com
- information about events company Future Cinema and a review of a film event
Use this material, together with your own studies, to answer the following question:
How far are developments in film exhibition changing the way in which audiences watch films?

AS Coursework

Film coursework - Orphan (horror film)
How is cinematography used within the scene in Orphan to create effect?

The film runs in a linear narrative which is not always that common with horror films. The scene starts off with a close up of the monster which is a little girl called Esther. This is not a common horror convention as it usually involves a child as a victim. The close up allows me to see the serious expression on her face and with the non-diegetic music varying between low and high extremes it makes me feel nervous and makes the tension of the scene grow. It then moves to a close up of Max who smiles which suggests her innocence. The mid shot of Esther shows her with sets of tools which foreshadows the type of weapon which will be used in a later scene. 

The tension is again increased with the contrast of the low non-diegetic music and the diegetic rattling of pens and keys whilst there is no speech taking place. This then cuts back to a close up of the hammer in Esther’s hand a long with the non-diegetic music using the high and low extremes again makes me think that the hammer will be her weapon of choice. The camera then tracks up to a close up of her face before moving to a mid-shot of her placing the hammer into the backpack. A shot reverse shot is now used between Max and Esther as it shows a mid-shot of Max jingling the keys before cutting back to a close up of Esther where her eyes appear to be very black which makes me feel uneasy. The scene then moves to a close up of the keys which suggests they are of some significance, maybe the link to the next part of the scene. This is followed with an eye line match from Esther to the safe. As the camera zooms in of the safe the non-diegetic music is very high pitched and increases in volume and pitch the further the camera zooms, this creates a lot of tension and suggest the terror that is yet to come. A high angle long shot is now used as Esther is unlocking the safe which makes it look like they are being watched before it jumps to a close up of the safe being opened and a gun being revealed inside. The non-diegetic music is very high pitch extremes creating more tension as there is another eye line match between Esther and the gun. The close up of Esther shows her smirk which a hints at danger. It then jumps to a close up of Max and her concerned expression again emphasises her innocence before a close up of the gun as Esther places a single bullet in before it moves to a mid-shot of Esther pointing the gun at Max. It moves to a long depth of field to a short depth of field which leaves the focus on the gun but the camera has positioned it so the gun feels like it is pointed directly at me. This is similar to the scene in "Run Lola Run" when the police officer is pointing the gun as if it is straight at me. This again begins to make me feel uncomfortable as I feel on the spot and the non-diegetic music again rises which is a key horror convention. The closeup of Max emphasises her vulnerability before moving to a closeup with the gun in the shot as Max shakes her head. As the pitch of the non-diegetic music increases there is a shot reverse shot between a closeup of Esther and a long shot of the nun through the window. This is also an eyeliner match as Esther turns around to look and then I see a long shot of the nun leaving. It then moves back to the long depth of field with the gun pointed directly at me before it cuts to a closeup of Esther moving the catch of the gun. The non-diegetic music hits a very high pitch extreme which emphasises the danger. 

The next part of the scene is the nun getting into the car. Parallel editing is used as it cuts to a long shot of Esther and Max running through the woods. The clear sharp tones of non-diegetic music as the car begins to drive through the snow is similar to the location of "The shining". Furthermore the isolation of the house on its own is a clear horror convention and again intertextuality with "The shining" as that was also set in an isolated area surrounded by snow. It continues with the parallel editing as it moves from a long shot to an extreme long shot of the girls by a bridge which suggests this will be the location of the action. This moves to a closeup of Esther looking through the bridge before the camera follows along the bridge before moving onto a closeup of Max. There is a jump cut to a long shot of the girls from behind them. As Esther starts talking it moves to a closeup of Max which allows me to see her scared expression which again suggests her innocence before moving back to Esther which is another shot reverse shot. The birds eye view of the car coming down the road portrays it as prey and very vulnerable, this is further emphasised with the drop of pitch in the non diegetic music. The closeup of the wheel foreshadows that something will happen involving the car which makes me start to feel nervous. This idea of foreshadowing is emphasised more as the camera cuts to a closeup of the nun driving the car with a serious expression which makes me think she is concentrating because the roads are dangerous and icy. An eye line match is then made from a closeup of Esther's eyes to a long shot of the car coming down the road which suggests Esther is about to cause trouble. A mid shot of Esther signing to Max is then cut to a mid shot of Max looking very scared and not like she wants to be part of Esther's plan. This makes me feel bad for Max and nervous for what is about to happen. It then moves back to the previous closeup of the wheel before another long shot of the car coming over the bridge but the non-diegetic music is climaxing and hitting extreme high notes which suggests that the danger is near. A closeup of the nun reaching into her bag before an over the shoulder shot of her placing a cigarette in her mouth shows that she has moved her concentration from the road making her vulnerable. The shots jump quickly between a long shot of Esther pushing Max into the road and the long shot of the wheel but this time with Max placed in the right hand side of the frame. This the jump cuts to the car coming towards Max but it feels as if it is coming directly at me which sets me on the edge of my seat. The closeup of Max allows me to see the terror in her eyes which is also exaggerated by the extreme high pitch non diegetic music. The closeup of the nun emphasises her fear accompanied with a diegetic scream. It then moves back to the wheel again but this time a closeup with Max in the right of the frame. The closeup is used to show how close the car is to Max. As the car goes past Max the shot moves to make me feel like I am Max and the car has only just missed me. Next is a montage of shots moving quickly between a closeup of the brakes then the wheel before a closeup of the nun, this is accompanied with very high pitch non diegetic music which is so high that it sounds like screams. There is a long shot showing me the car going out of control before moving to a high angle shot which again suggests the idea of vulnerability. 

There is a closeup of the nun accompanied with the diegetic sound of her sigh suggesting how relieved she is yet she has no idea the terror yet to come. This cuts to another closeup but of Max crying before cutting to a shot from behind the nun as she gets out the car, this further emphasises the vulnerability again as it is like she is being watched. As there is a long shot of the nun running towards Max the non-diegetic music begins to intensify. There is a shot reverse shot starting with an over the shoulder shot which focuses on the nuns concerned face as she begins to fuss Max, then an over the shoulder shot which focuses on Max crying before switching back to the over the shoulder shot which focuses on the nun but this time as the nun moves it reveals Esther stood over her. There is an extreme closeup of Max's eyes before an eye line match . As the non-diegetic music hits a climax we see a closeup of the nun as she turns her head but it feels like it is direct at me like she is looking at me for help. There is a closeup of Esther before it cuts to a closeup of the hammer we saw earlier in the scene. You hear the diegetic crunch as the hammer hits the nun’s head and a closeup of Max as she begins to scream and cry again. A closeup of her head bleeding before a closeup of Esther showing no remorse. The non-diegetic music is now low tones. The scene ends as with a long shot of Esther throwing the hammer as it hits the snow you see the contrast of the white pure snow with the red blood. Blood being another key horror convention.